Combover (Approach 2)
December 19, 2010, 2:03 pm
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Us living as we do, upside down…
Another try: I’ve been arguing that a person is a loosely-knotted cluster of impulses, reflections, apprehensions and prehensions moving through ordinary time (imagine a net with head, hands and feet), and not, ontologically, an extreme solidity of form constantly under threat of dissolution by the fragile infrastuctures for maintaining fantasy. The latter is best exemplified by the iconic image of the combover subject. The subject of the combover stands in front of the mirror just so, to appear as a person with a full head (of hair/ideas of the world). Harsh lighting, back views, nothing inconvenient is bearable in order for the put-together headshot to appear. No one else can be fully in the room, there can be no active relationality: if someone else, or an audience, is there, everyone huddles under the open secret that protects the combover subject from being exposed socially confronting the knowledge that the world can see the seams, the lacks, and the pathos of desire, effort, and failure.
Who isn’t the combover subject? No-one. The combover subject literalizes the plaint of ordinary subjectivity to be allowed to proceed in its incoherence and contradictions. The very fantasy of a subject bound to itself as a solid structure is itself material for a combover. Even a philosophical skeptic like Cavell, at home with the failure of language to be adequate to its situation and its desire, finds satisfaction in style; and even a depressive realist like me, who sees her failure to be idealizable as confirmation of her good sense, takes comfort in encountering a version of herself that will not be surprised by delight but by being the recognizable thing she has come to trust, the thump and the stumble.
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Combover (Approach 1)
December 12, 2010, 5:54 pm
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I sat in at another conference recently, hearing lots of promising work, including a paper by Leo Bersani called “Illegitimacy” that pursues his current project, to understand what the Cartesian attempt to elevate thought over bodies, attachments, appetites, and sociality itself has wrought and what new social relations might be developed alternatively and in proximity to it. He has three models on offer these days for not reproducing the kinds of compensatory fantasy that allow one to feel autonomous, adequate to oneself, and separate/superior to the [enigmatic] other: one, a radically negative abandonment of the normative world, a project of becoming unnamable, illegitimate, and nonviable (he associates this with Edelman’s No Future); two, a sweet Bollasian affective sociality that focuses on effecting attachment in a way that does not require a full revelation of being; three, the Socratic model of impersonal narcissism that Bersani developed from Homos to Intimacies, involving the lover’s loving not just his own likeness seen in the lover (the Greek anteros or “backlove”) but also loving in the beloved a virtual form of universal individuation that at once gives the lover narcissistic satisfaction but also, motivated by love, induces the lover to foster the beloved’s becoming more like himself.
These three models for sidestepping the bubble of ego inflation do not cohere: they invoke different models of an alternative formalism that might be found in relationality. But all of them counter in specific ways what Leo calls normative personhood’s murderous drives to eliminate alterity. In a fine theorist, non-coherence is never a failure, but an expression of an experimentality I love: the feeling out of a problem in real time, even in the mode of a propositional definiteness, is what makes theory intimate, when it is. In Epistemology of the Closet, Eve called such liveness to the whole body work of conceptual transformation the “pincers movement”: one theory-driven claw forward, another claw lagging, such that movement keeps happening across a field made from scratches that don’t add up quite to an even plane.
But being me, I would foreground non-coherence as a principle of being rather than a cumulative effect of serial finitude: I never thought that the subject ought to be seen as in one state.
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Sitting on an airplane, a Mule
September 18, 2010, 6:30 pm
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1. I am reading other people’s work during a long travel corseting. Much of it is interesting and plausible: I try, it tries. I feel dull toward it, pickled.
Most of the writing we do is actually a performance of stuckness. It is a record of where we got stuck on a question for long enough to do some research and write out the whole knot until the original passion and curiosity that made us want to try to say something about something got so detailed, buried, encrypted, and diluted that the energetic and risk-taking impulse became sealed and delivered in the form of a defense against thinking any more about it. Along the way, something might have happened to the scene the question stood for: or not.
2. I never fall out of love, but run out of gas. That’s what I mean by thinking as a transformation within stuckness. All the noise of research and explanation gets created to materialize the thickness of an interest; the noise circles around its object and barely, usually, congeals the force to move it anywhere, although sometimes it does. The thought is never finished—in Deleuzean terms, the problem-event that governs the situation is in potential–but what I’m talking about in the finishing is something else, the movement within stuckness between making an opening and defending against so much of that which spikes out from the openings one makes until the thing has to be relinquished and moved into the world. (more…)
Under My Thumb (Passivity 3)
August 4, 2010, 2:42 am
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You find yourself untethered. Your lover/children have just left and you’re alone. Your pet/partner has died. School is over. You’re on vacation. You’re wandering around streets, a mall, your flat. You are trying to stay awake in a cafe. You are in the limo on the way to the airport in a strange city. The calories you eat are absentminded, yet there’s a faint arousal or hunger.
Under my thumb
Her eyes are just kept to herself
Your head is staging a conversation with someone who has insulted you. You’re saying that you don’t care. In your head your voice is smooth and warm. In the fantasy the insulter is moved that you act as though they still deserve attachment, engagement, and idealizaton, and you do love x about them, so it is not false, but the extra kick you receive in seeming not to let the insult get to you makes the fact of it inflate into something impressive, like courage. Then you listen to the stream of self-policing that accompanies you on your walk, and you imagine confessing, look, I finally have a secret to confess!
My mind flashes to my father as these scenarios collect. I think of my colleague who recites the emails in which she was told that she has no right, no standing to critique what her male colleague loves. I think of another colleague’s monologue about how women who don’t have SHIT can still at least beat men with arguments, and I thank god that I don’t leak out my wishes as facts. But here I am, humbled. Anger induces us all to write in whatever idiom we can pick off.
I am continuing here the discussion of passivity’s promiscuity of form introduced in the last few posts.
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On Passivity: Not otherwise specified
June 21, 2010, 12:32 pm
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Slowly, I aspirate from myself the choking wave of obligations that the 2009-2010 term induced: never have I had a time of such incessant institutional demand, and as I breathe through the final tsunami of papers, my mind volleys, “How did it get to be this way?” and “I still don’t know how to live.” I don’t know how to fix it or even to fake fix it. Then, a few minutes ago, as if on some mysterious cue, an old Jewish New Yorker wearing a Mets cap and jeans that hang loosely off him walks in the cafe door and intones, “Oi am still in juniah high school when I am neah a beautiful woman, Oi am seventy-noine but insoide I am nointeen” over and over, at first loud, then louder. Save me from the inutility of a time when all I have left for contact with the world is a loud voice that even the wind doesn’t want. Apostrophe’s poetic tradition is grand, but to be forced into an apostrophic life is a bitch.
At least blogging is . . . quiet.
I turn to the New York Times article on “eating disorders not otherwise specified,” usually known by its acronym Ednos. Ednos describes eating disorders that invent non-normative forms. They’re far more disordered than the conventional ones that at least imitate a known symptom cluster. When it came out, the Times description of disorganized eating induced me to gather up some thinking I’d been doing around my Ordinariness seminar about the place of passivity in ordinary subjectivity. I’ve been trying to write this post since January, dig?
In the seminar passivity emerged as a register for describing the myriad ways in which the aesthetic represents subjects delegating their agency to a form or norm of being in the world, a delegation that induces the kind of state I’ve been gathering up here under the umbrella of “non-sovereign subjectivity.” Zizek calls this kind of delegation interpassivity. It is a beautiful concept, but it could be much more beautiful. As so compulsively often, he uses it to describe how persons refuse to become genuinely politically rational. Interpassivity describes the relation of disavowal in which one hands off one’s affect to a media form or other persons, thus producing room for disowning and managing one’s own intensities. His point is that much of what passes for interactivity is really interpassivity. (more…)
A Teaching (IV)
December 26, 2009, 5:42 pm
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1. Uncanny Hollows
Not at home in a discipline, I have my own, daily trading sleep for the hope that some time before the day starts might be spent on some thing besides immediate production. During the school year, though, class prep eats virtually all of that time, as even familiar material feels underprocessed in the scene of ongoing teaching.
This year the precarious time between sleep and performance has become an uncanny hollow. My study is a study in clutter and windows. Usually, I ease into its quiet distributions like a coat thrown onto a chair. But now, the space is fraught. Cries start hurtling through the walls at around 6 and punch the day out randomly but regularly. The sadness hurts my heart–I want to say literally–and starts me hiving off into reveries, just so I can breathe. At first I assumed that the sounds were breakthrough dreaming, a thing I get when I am in sleep arrears. But then I realized that the beats came from an external source–Lorraine, the woman living above me, unraveling from Alzheimer’s.
Isn’t dementia always precocious?
Her guardian tells me that Lorraine is like a baby now, but unteachable: laughing and cooing when she isn’t howling or sleeping, with nothing but an emotional present to live in, no memory, no affect management, just variation between the high notes and the low according to impulse. She hates transitions. As the day is full of them, it’s not good. She’s an exposed nerve registering the minor and ephemeral variations that, for people not in dementia, add up to nothing, or sometimes, a mood. If I’m going to work at home there is no place to turn that is free from the noise of her personality shifting around. I could say the same thing for myself, though. My literal eavesdropping forces me to italicize as though there is no writing but a pushy kind to convey that pressure on my sternum.
This howling has provided the soundtrack for A Teaching all the way through, and its streaming right now makes me lose my focus and confuses me about what I should be listening to, my noise or hers. For example, I can’t access the affect that made me want to write about the two teaching films I have seen in the last month–Daniels’ Precious and Cantet’s Entre les Murs (The Class). My notes tell me that these two neocolonial films seemed worth commenting on v. education as a desirous and antagonistic scene of multiple sovereignty-dissolving encounters. I wanted to think aloud about the breaking and remaking of schooled subjects into subjects who deserve to be precious.
(more…)
Brainstorm
August 30, 2009, 1:51 am
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Today I ran without music. When I run this way my head boils out, matter shooting everywhere like water on hot oil. Phrases reach me and mostly move away before I can trap and extend them into actual thoughts. Bracketed matter calls for its due. Anger nudges wonder aside and has its own road rage. Connections appear and fade and I get excited and amnesiac. I mourn people and wonder how so and so is doing. I think about sex (but then I always stumble). I move between flat apprehension and hooking up well enough with the thought that I can sometimes get back home in time and make some notes.
The hardest thing is to brainstorm with oneself. Brainstorming is the skill I use in classrooms to get everyone in counterpoint, if not in sync, but it’s different to coordinate minds that work at different speeds in order to make some material commonly held. Brainstorming is my genre of jouissance in collegiality and friendship too, the work of staying in the conversation in real time that takes place when everyone’s alive enough to focus and then unfocus– to riff. The work of tracking oneself, though, when the ordinary compartmentalization breaks down enough to interrupt a habit of mind, requires a different rhythm of and skill for attentiveness. This general thought is the magnetizing rod for all of the non-sovereign unraveled, deflated, erupted, dispersed, and recessive material that will become Detachment Theory.
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You sowed a baby and you reaped a bomb.
June 27, 2009, 3:33 pm
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I’ve been re-re-re-reading Christopher Bollas’s short essay on moods: it is a complicated thing to take in because of the delicacy with which it calculates what a mood does.
A mood is not a sustained orientation toward the world, but an affective episode: being a curmudgeon is different than being in a curmudgeonly mood. At the same time, Bollas points out, the concept provokes spatial metaphors. Just as one goes to sleep, one gets into moods; and just as one wakes up and can reflect on sleep, one can get some distance on a mood. A mood is thereby an affective impasse, a theatre of self-alteration that comes from “within” but with which one does not have to feel entirely identified. Why am I in such a ______ mood?
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525,600
June 16, 2009, 3:03 pm
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My posts take forever to write, because they are trying to–my fingers want to type “to survive a genre,” but I meant to say “to invent one,” and that says it all about where I live. But the long duration also comes from the ways that a “post” is a mnemonic genre of its own, a recording of an instance in the pursuit of a problem. What would I need to understand to shift around this thing? Post-making enables me to track a point in my response to x, and how I thought to maintain fidelity to the pressure it incites. I am grateful to my readers for their bibliography and apercus, too: it might not seem that I’m responding sometimes, but it takes awhile to reorganize myself around a new complex thought.
My encounter with problems and the scene of writing provokes sometimes a zone of scarily quiet being in the world. But there is always a soundtrack–at the moment some loud person in a cafe who believes that her addressee is all that exists and to whom the rest of us are apparently failed trompe-l’oeil. (“I’m on a water and ice diet,” she told her friend, who’d dared to put milk in her coffee.) Today also, Pierre Boulez; Fred Anderson; and the new screechy P. J. Harvey collaboration. Also, this phrase cluster: I almost got out, I can’t believe I got out; I’m not sure whether I was trying to get in or get out. Amidst all of this (more…)
Unworlding II
June 8, 2009, 2:34 pm
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The rain was still torrential when I left the library to make my way to the far northwest side of Chicago: through the windscreen the traffic was in a slow chaos, cars shuddering from the beating wind and barely moving forward, the flooding streets outlining once again the urban infrastructure crumbling in real time. Potholes, puddles, and spray pounced out into sight as if the out there were a video game full of menacing threats to survival and not also ordinary life.
In the middle of all that a well-placed Shell station on Hollywood was processing a lot of traffic. In the back right hand corner of the pumping area, though, a man stood just watching the cars. His gray and white cardigan and black cargo pants were becoming just dark with rain. He was tall, no longer young. He seemed to have no relation to a car or the cars or to becoming soaked. He was standing there just looking without watching. It was easier to suss out what wasn’t happening than what was. I wanted to get out of the car and ask him something but couldn’t figure out the mechanics. Or the ethics.
Then things cleared up and moved on and so did the hard day of wondering about those scenarios of the ordinary that are predictable by now and yet feel immoveable too because their accumulation–as data, as exempla, as anecdote–does not lead to clarity, let alone transformation via something made live when the phenomenon turns trope. (more…)