525,600
June 16, 2009, 3:03 pm
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My posts take forever to write, because they are trying to–my fingers want to type “to survive a genre,” but I meant to say “to invent one,” and that says it all about where I live. But the long duration also comes from the ways that a “post” is a mnemonic genre of its own, a recording of an instance in the pursuit of a problem. What would I need to understand to shift around this thing? Post-making enables me to track a point in my response to x, and how I thought to maintain fidelity to the pressure it incites. I am grateful to my readers for their bibliography and apercus, too: it might not seem that I’m responding sometimes, but it takes awhile to reorganize myself around a new complex thought.
My encounter with problems and the scene of writing provokes sometimes a zone of scarily quiet being in the world. But there is always a soundtrack–at the moment some loud person in a cafe who believes that her addressee is all that exists and to whom the rest of us are apparently failed trompe-l’oeil. (“I’m on a water and ice diet,” she told her friend, who’d dared to put milk in her coffee.) Today also, Pierre Boulez; Fred Anderson; and the new screechy P. J. Harvey collaboration. Also, this phrase cluster: I almost got out, I can’t believe I got out; I’m not sure whether I was trying to get in or get out. Amidst all of this (more…)
Do You Intend to Die (IV)?
March 23, 2009, 7:22 pm
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I know that only some of the writing on this blog is accessible and useful. Research is like that, sometimes providing big clarities that open things up memorably, sometimes stacking more material between you and having a minimal handle on a problem. This is the last note for this series, because I have other writing to do, and other problems of approach and address to layer into this detachment project, still very much in its nascence. Explanation does not dissolve what’s incomprehensible about a thing. At least for me, writing makes a vestibular system, a scene around which to move to get the contours of what’s hard about a thing. Maybe a given instance achieves genuinely transformative recontextualization, and the problem looks significantly different after the analysis; usually it just outlines the body.
I’ve been thinking about aspects of this series seriously since last summer, when I heard a story that just blew me away. But a friend told me emphatically that it didn’t belong on this blog, and instead should find a home in an autobiography that I have no plans to write.
Now it is possible to fold it in. Because of intensifications in the crisis ordinary that have happened in the meanwhile, it now appears propped up among many cases, at the same time as I mean for its airing here to transform the taxonomy within which those cases have gained some clarity in the past few posts. (more…)
Do You Intend to Die (III)?
March 21, 2009, 11:54 pm
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1. The Campaign Against Living Miserably
Every day digs me deeper into the bumpy surface of this situation. Today, just for fun, I was reading a wonderful Open Democracy post on the women of Greenham Common and then the post turned suddenly from a discussion of women’s emancipated political agency to a discussion of the global suicide epidemic among young men. The interviewee, an activist called Jane Powell, is now working in Manchester UK with a project called–heartbreakingly, really–”the Campaign Against Living Miserably (CALM).” Sit there with that for a bit.
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Marry, Hang the Idiots….
October 31, 2008, 10:53 am
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I tried but failed to complete a challenge made a few days ago by Jaime Hovey to write something about Proposition 8 and the problem/desire of gay marriage, even though I’m neither enthusiastic about marriage as a political project or foundation for the good life; nor enjoy writing useless polemics only to be read by progressives who are as ambivalent as I am about bracketing the whole feminist/queer critique of marriage as moral aspiration and property right, let alone the routing of GLBTQ politics to appeals for normalizing statuses;nor enjoy writing something in haste when I am trying to learn to write beautifully, or at least more effectively. But as my friend Kay Sera says, “Whatever.”
In any case, I am not about to cede civil rights to heterosexuals just because they have a sexual pattern that they like. It’s a sexual pattern, not a way of life! A way of life is a much richer and more complex thing than a sexual pattern. That’s really all I’d like to say.
A way of life involves the cultivation of everyday habits, habits of reproducing life (work, care), of paying attention, of inattention, of intensities of focus that are serious and frivolous. A way of life involves managing the habituated way you show up and the way you check out of relations you are having. A way of life is a thick space of connection, habit, aversion, demand, deference, and pragmatism, enriched by fantasies of what makes it worth maintaining, only some of which you can bear to own while others are more secreted.
A sexual object choice comparatively is a flat empirical episode that endures or not, that repeats or not, that explains you, or not. What do I know about you when I know your sexual pattern? When Alfred Adler invented the term “lifestyle” in 1929, he was talking about such patterning, the patterning that constitutes personality, not the normatively and morally saturated theatre of appearances that is now over-shaping the political in California. (more…)
Ich bin, aber ich habe mich nicht
September 16, 2008, 11:00 pm
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Of course that could be the ghost title of anything anyone writes.
All summer I’ve been failing to finish a post about David Halperin’s What Do Gay Men Want? and Adam Phillips and Leo Bersani’s Intimacies: I’m finding it hard. There’s a lot to say. This is part one. My focus is on their attempts to imagine sexuality as something other than a reenactment of shame or the death drive; their desires to remind sexuality theorists that realism about sexuality requires more than tracking tragicomic scenes of loss, belatedness, risk, shame, grief, and paranoiac misrecognition.
Bersani writes from psychoanalysis and Halperin writes here against it: but they advance a similar claim, that sexualized attachment is possible precisely because lovers are incoherent. Objects of desire/attachment can only partially be adequate to our needs for them to be perfectly in synch with us, given our out-of-synchness with ourselves, their enigmaticness to themselves, etc. But this does not doom desire or attachment. The very structures mourned as shame/loss are also scenes of vitalized self-extension and animated optimism. The impossibility of sexual self-governance produces affectional, political, and cognitive creativity. Lean on me; feel the stress and release in our mutual propping; now what? These are sweet theories that try to put lipstick on the pig of ambivalence.
Their question is whether we can rehardwire our relation to partiality, to process, and to the brittle contingencies of being with desire; whether we can cultivate a sexual way or attachment style that isn’t organized by the macho-paranoid-aggressive mode that tries to control being sexual, e.g. out of control. Which is to say that Bersani and Halperin are producing accounts of mediation and ideology without really providing an account of how mediation and ideology work: nonetheless, in engendering a new sexual realism both provide prospects for rehabituating the sensorium. They offer a different aim for personality, a personality organized by, reliable to, and identified with the delicacy of the process of staying proximate to and working with the objects of desire with which we make the theatre of our self-extension in the world. Affect, gesture, and episode rule over emotion, melodrama, and narrative.
To summarize, briefly: Bersani works toward a transvaluation of narcissism.
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From my mouth to your ear…
June 23, 2008, 4:54 pm
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The inevitable Sex and the City post, belatedly. I forgot about the film the minute after I saw it, but if you write a book called The Female Complaint people ask you all the time whether you saw the latest chick flick, and whether something other than the predictably condescending thing can be said about it. Here’s what I wrote the night I saw it, raw. More on Intimacies soon.
***
Leo Bersani and Adam Phillips’ new book Intimacies opens with this hilarious sentence: “Psychoanalysis is about what two people can say to each other if they agree not to have sex” (1). This is the funniest thing I have ever read.
The difference between Intimacies and Sex and the City is that the women in the film are not in psychoanalysis. But, as they are not having sex with each other, they can simulate the freedom to talk about sex where it isn’t. It’s a good thing that they have each other, too, as they are incapable of talking about sex with their lovers. But ladies, this is a problem.
If any of these women had ever even walked by feminism on the sidewalk they would have learned that one of the points of sexual liberation was to put your mouth where your mouth is. Sex talk was to be part of sex, part of sex pedagogy, part of allowing fantasy and desire to produce creativity and improvisation in the now of the event. Sexual liberation culture gave skills and permission for not just resorting to reenacting the default expectation out of fear that sex talk would make sex disappear.
But in this cinematic romantic world, the reigning fantasy is that sex and love ought to go without saying. Love objects are supposed to be like purchased objects, which in this film give instant radiant satisfaction and harbor no enigmas. But where love is concerned, the problem is that lovers are not objects, but subjects. Discussion is a fall from grace. Discussion is a sign that something is off. It puts you in the room with what’s too achingly human.
These women are so frightened of what’s uncontrollable and uncomfortable about sex that, rather than to talk well about it to lovers, they prefer to laugh and complain to each other about it. At one point, they even have to use the word “coloring” for “sex,” ostensibly to protect a little girl from hearing that it’s not about fantasy and play after all–but really, of course, to protect themselves from the embarrassing fact that they desire romance to corral sex into being something simple. Here’s Carrie’s description of Big’s sexual prowess, I kid you not: “he colors outside of the lines.”
(more…)
Looking for Mr. (W)Right
May 7, 2008, 11:33 am
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Column 2 in a series; see below.
This is how love starts: a crush. Your body intensifies, gaining and losing confidence in the presence of a person, an image, an idea, or a thing: in a crush, you have a feeling that you feel compelled to keep having. The pressure disorganizes you, opens you up to reverie, anxiety, defense, risk. You are forced into frenzies of adjustment; you feel tilted forward. Sometimes that’s enough: being mentally with your crush is all you want. Sometimes you try to repeat being near the thing that stimulates the intensities. Later, you notice the collateral damage: what you have had to put up with to have that feeling. Sometimes it’s too much, sometimes it’s not that hard to endure. What’s really hard to endure, though, is facing up to ambivalence.
In love plots and politics, popular culture has a terrible track record dealing with ambivalence. This is another thing the Jeremiah Wright story reveals. The media focuses on the negative side: aversion, disappointment. It doesn’t focus on the pull: this part of the person is great, the other not so much. It’s as though it’s idealization or nothing. Politics becomes chick flick. Ambivalence, then, is seen as evidence of failure, not as what it is: evidence of desire, attachment, longing, not just for a better world but for assurance that it’s worth staying attached to the political itself. The simple crush on having that feeling again translates politically into wanting to re-experience the feeling that made you optimistic.
Grant Farred calls this “fidelity to the political”; Antonio Gramsci called it “optimism of the will.” To give up caring, after all, is to stop resisting what’s clearly outrageous, unjust, not fair, wrong. It’s giving in to political depression. To stay close to that desire, though, one might shift to a softer optimism–I think that’s the usual thing. Just as people close their eyes when they kiss, so too there’s an impulse to close one’s eyes during the political season just to protect their optimism for a less bad politics, maybe even a good politics, enabling the chance for change that would be fundamental yet not traumatic. Change without loss; revolution without risk. We know better, because in any desire, political or otherwise, there’s always risk and the possibility of loss (of comfort, privilege, or knowing how to live). The fantasy of change that would produce flourishing without loss is a deep logic of the crush that can turn into love.
I’m writing this now for obvious reasons. In this season the cynic and the critic provide choruses of shame against my nervous system’s interest in caring about what happens in the political, in wanting something from it. Whenever Hillary Clinton opens her mouth sarcastically to demean political hope I am filled with rage, and my mouth spills out excessively with expletives. Without a desire for the political there is no democracy.
(more…)
Against Sexual Scandal
March 11, 2008, 4:17 pm
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If I were an actual public intellectual, here’s an op-ed I would write. I don’t know actually how to write this kind of thing, it’s more pop-ed than op-ed since it popped out of me when I woke up at 5 this morning. Advice, emendation, commentary are very welcome, and I appreciate it especially if you comment here rather than via email, because then it really is world-building.
Shockingly, a slightly altered version of this post is now up at The Nation. Also, a critical read of it has been posted at Pandagon. I left a response there.
Against Sexual Scandal
Whatever happens to Elliot Spitzer as a result of the revelations about prostitution the force of this story is not, once again, why big men do stupid sexual things, or why Type A’s get tired of being so good and have to become bad just to attain some balance.
The story is also not about how righteous moralists always have a dark secret they’re creating noise to distract us from paying attention to. It is not really, either, a good opportunity for dancing in the streets because one more powerful person has come tumbling down—after all, some powerful people are better than others, and when the person falls from the mighty naughty force of their appetites nothing about power is changed at all, quite the contrary. The law, the family, marriage—exit polls suggest that all of these will be the winner here, after being horribly maligned by a bad man who forgot his oaths to honor them.
Instead, what stories like this really do is to damage the reputation of sex. Whenever there’s a sex scandal, I feel sorry for sex. I felt sorry for sex during the Larry Craig brouhaha last summer. What if he liked being married and procreating and giving anonymous head? What if that was his sexual preference? What if he was not really gay, as he claims, but had sexual desires that seemed incoherent from a normative perspective? Some of the response to Craig was like the response to moralists like Jim Bakker, Ted Haggard, and now Spitzer—moralists deserve to suffer the same force of negative judgment they wielded on others. Shame on us? Shame on you, ha ha! But lots of the response was sheer homophobia. And all of it was sheer erotophobia.
Erotophobia, fear of sex, tinged toward hatred of sex. Public sexual scandals revel in the hatred of sex. Disgust at the appetites. The strangeness of sex, the ordinary out-of-controlness of sex acts and sex drives that we all experience (if we’re having it). Actually, usually, sex is not a threat to very much. But it feels like a threat to something, which is why so many people stop having it.
So when a sexual scandal happens, people indulge in projections of what makes them uncomfortable about sex: its weirdness (I was just standing up and talking and now I’m doing this?), its sloppiness, its awkwardness, its seeming disconnection from so many other “appropriate” drives (to eat, for example). Then there’s one’s fear of becoming a mere instrument of someone else’s pleasure, in a way that one doesn’t want.
Nonetheless, I’m just saying, I really like sex. We have no idea what sex would be like in a world that saw it basically as a good. A weird good. A good that can tip you over and make you want to do strange things. A good that can reveal your incoherence, your love of a little disorder, your love of a little control (adjust the dial as you like). A good that can make you happy, for a minute, before the cat starts scratching the corner of the bed, or the phone rings, or the kids mew, or you’re hungry and sleepy, or you need another drink, or the taxi comes.
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